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Journal of Digital Social Research

Research Articles

Vol. 4 No. 4 (2022)

The Pepe the Frog Image-Meme in Hong Kong: Visual Recurrences and Gender Fluidity on the LIHKG Forum

DOI
https://doi.org/10.33621/jdsr.v4i4.131
Submitted
April 14, 2022
Published
2023-02-06

Abstract

This paper examines how Pepe the Frog, a cartoon character originally created by American cartoonist Matt Furie, and currently a global digital image-meme of online activism, was adopted and adapted in Hong Kong during the 2019 Anti-Extradition Bill and Law Movement (??????????; faan deoi tou faan tiu lai sau ding wan dung) (hereafter: anti-ELAB Movement) on one of the most prevalent protest platforms, the LIHKG forum (LIHKG??). We combined a computational big data analysis of the posts’ metadata and a qualitative analysis of the Hong Kong Pepe image-meme to examine how it contributed to highly emotive and contentious discussions about the future of Hong Kong. The aim is to reveal how activists on this platform framed this imported image-meme to make statements about Hong Kong politics, as well as gender and democracy. The scope of visual content on social media today creates an opportunity for cross-disciplinary collaboration and new methodological approaches that combine a scaling of large quantities of images with representative sampling and theories of online activism. Our theoretical interest aims at documenting how activists reveled in various visual cultures and adopted the image-meme within social media discourse. We are equally interested in identifying the gender representations of these figures and how they drove emotional responses and discussions during the movement’s high points. The Anti-ELAB protests and the LIHKG forum were specifically characterized by a large participation of younger women. Alongside the proposition for Hong Kong self-determination, the forum hosted discussions about the role of female activists within the struggle. Since Pepe had previously been adopted by xenophobic alt-right groups and the misogynist “manosphere,” we monitored and interpreted recurring Pepe-imagery to find out how normative-conservative, or gender-fluid and emancipatory tropes were used on the LIHKG forum.

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